Why Is This Good?
Fiction writers from the Naples Writers' Workshop read successful stories and ask "Why Is This Good?" We discuss how fiction works, the craft of writing, literary art, and what we can learn from examples of excellent writing. Join us twice each month for our workshop podcast.
Letzte Episode
164: “Hollow” by Breece D’J Pancake (15.11.2025)
Frühere Episoden
- 163: “The Enormous Radio” by John Cheever
- 162: “A Conversation with My Father” by Grace Paley
- 161: “A Manual for Cleaning Women” by Lucia Berlin
- 160: “Everything That Rises Must Converge” by Flannery O’Connor
- 159: “Wood Sorrel House” by Zach Williams
- 158: “The Garden of Forking Paths” by Jorge Luis Borges
- 157: “Found Objects” by Jennifer Egan
- 156: “Two Words” by Isabel Allende
- 155: “The Piano Teacher’s Pupil” by William Trevor
- 154: “Nine Lives” by Ursula K. Le Guin
- 153: “The Veldt” by Ray Bradbury
- 152: “How to Be an Other Woman” by Lorrie Moore
- 151: “The Daemon Lover” by Shirley Jackson
- 150: “Babylon Revisited” by F. Scott Fitzgerald
- 149: “The Martyr” by Mary Gordon
- 148: “A Visit of Charity” by Eudora Welty
- 147: “We Can Remember It for You Wholesale” by Philip K. Dick
- 146: “Uncle Wiggily in Connecticut” by J. D. Salinger
- 145: “Unaccompanied Sonata” by Orson Scott Card
- 144: “The Werewolf” by Angela Carter
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